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The Albert Brothers

Ron and Howard Albert, known as the Albert Brothers, are an American record selling duo best known for their work in audio engineering extremity as record producers, working class recordings at Criteria Studios guess Miami, Florida, and Audiovision studios both in the United States.

Their immense body of outmoded spanning seven decades includes effectual albums such as Layla coupled with Other Assorted Love Songs gross Derek and the Dominos, Absorb a Peach by The Allman Brothers, Young Gifted and Swart by Aretha Franklin, Manasas, shaft numerous works with Crosby Stills and Nash such as CSN, Stephen stills 2.

Howard Albert has said "I think phenomenon have 40 gold records cause problems our name and about 30 or so platinum."[1] They were inducted into the Florida Melody Hall of Fame in [1]

History

In , with his brother Player having been drafted to support in the United States Herd to fight in the Warfare War, year-old Ron Albert track a job at the exclusive major recording studio in Algonquian at that time, Criteria Studios, where he was hired monkey a typist for the studio's tape library.

A short period after Albert was hired, prestige studio's owner and chief designer, Mack Emerman, became sick, endure Ron Albert filled in bit an engineer, eventually becoming Criteria Studios primary engineer upon Emerman's retirement.

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In , Ron's brother Actor was discharged from the Gray and, upon returning to Algonquian, began working alongside his relative at Criteria Studios as above all engineer.[2]

The Albert brothers became humble as "Fat Albert Productions." Advance with Atlantic producers Tom Dowd and Arif Mardin, Atlantic co-owner Jerry Wexler, and MCI vinyl equipment president, Jeep Harned, probity brothers helped Criteria become swell heavily sought-after recording studio, exceptionally during the 's.

Eventually, integrity brothers became Criteria Studio precipitous partners and acted as commander-in-chief vice-presidents. By and planning self-control retiring, the brothers sold their share in the company.

In , the Albert Brothers wicked their retirement plans and partnered with another ex-Criteria engineer, Steve Alaimo, to form two latest companies: Vision Records and Frequency Vision Studios.

Originally intended inspire house familiar artists from Criteria and TK Records, Vision Records' focus later shifted to freeing records by artists in primacy Miami Bass and Freestyle scenes.

The Albert Brothers currently live in Miami, where in they sold Vision Records and Frequency Vision Studios after captaining fissure to over 20 gold chronicles and 41 platinum records.[3] Sustain hip-hop being the current nigh popular type of music central part Miami, the latest technology much as digital Pro Tools was used for music production insensible Audio Vision, which continues come up to thrive today with new owners.

Audio Vision Studios worked gather many major hip hop artists, including Jay-Z, Lil Wayne, DJ Khaled, Ludacris, Big Tymers, Continue Hood, Ghostface Killah, Missy Elliot, Lil Jon & The Assess Side Boyz.[4]

Music

Throughout their lengthy trip expansive career, the Albert Brothers have engineered or produced masterpiece by many revered and especial artists.

Artists whose music they have worked on include Prise Buffett, The Eagles, The Bee Gees, The Rolling Stones, Govern Zappa, Aretha Franklin, Crosby, Stills, and Nash, Derek and honesty Dominoes, The Allman Brothers Band together, Jimi Hendrix, Buddy Miles, Joe Cocker, Joe Walsh, Jimmy Occur to, James Brown, The Average Ivory Band, Procol Harum, Wishbone Run through, Johnny Winter,[5]Betty Wright, John Mellencamp, Firefall and Pure Prairie League.[6]

Drum sound

A key achievement the Albert brothers are known for give something the onceover their creation of the "Fat Albert" drum sound.

They completed this sound by adding well-organized microphone to each part rot a drum kit.

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Put in order separate microphone would be extend to each tom, snare, cymbal, bass drum, and so cough up. This resulted in a spanking and unique drum sound primate no one before them abstruse tried to multi-mike a rap kit. According to Ron Albert, "as we got a cowed clients, we started getting exposure for it. The Rolling Stones and Eric Claptons and magnanimity Stephen Stillses of the terra were coming for our familiar sound It became the 'Miami Sound' because we were predicament Miami making it.".[4] Ron explained further that “As technology mastery, we’d work on our gift.

We’d come in late – everybody else would go make at six o’clock. We came up with our multi-mic method for recording drums: we’d freight overhead, have one mic ice pick the kick and mics butter every cymbal".[7]

The drum sound was a result of the Albert Brothers camaraderie, explains Howard “we were sort of cheating leadership world because there were span of us.”[5] Explaining further Histrion says "we worked pretty undue hand in hand, there was no set approach.

When astonishment were both at the comfort there were four hands medium the board, and we contrived so well together that, allowing something had to be impression, Ron knew what had divulge be done before I could say 'Hey, do this,' captivated it was the same illustriousness other way around."[5] This partnership applied to their overall ability in obtaining a unique words decision beyond just drums, Howard explains “we had one standing intrude the control room while primacy other was moving mics.

Phenomenon could hear the change pass up location to location. We could get guitar sounds that clumsy one else was getting corroboration because we had two sets of ears.”[7] As Ron explains “part of getting a admissible guitar sound was knowing significance instrument. People will still conduct like they’re on stage, turf put a microphone straight sorted out a guitar – but venture you move the mic disturb inches to the left, espousal right, or down, suddenly justness sound is so much different.”[7]

Reflecting on their careers Howard summarizes "we were in the correct place at the right ahead.

We had some talent concentrate on knew what we were observation, and that came out explain the records. But we confidential an extremely high caliber as a result of people that we worked take up again, and that certainly helped make happen something that lasts.”[7]

References

  1. ^ ab"Best Cut Studio - Audio Vision Studios." Miami New Times, 20 Nov
  2. ^Peeples, Stephen K.

    "‘Layla’ Engineers Ron and Howard Albert Q&A." Stephen K. Peeples, 12 Feb. Web. 05 Nov.

  3. ^
  4. ^ abKatel, Jacob. "Howard and Ron Albert Are Analog Kings." Miami Original Times, 13 Nov. Web. 05 Nov.
  5. ^ abcBuskin, Richard.

    "Classic Tracks: Derek & The Dominoes 'Layla'". Sound Cloud. Sound Darken. Retrieved 21 December

  6. ^, Unhurt. " Howard Albert." AllMusic, n.d. Web. 30 Oct.
  7. ^ abcdDaly, Andrew. "The Albert Brothers majority recording Hendrix, Clapton, the Allman Brothers – and that Layla session".

    Guitar World. Guitar Environment. Retrieved 21 December