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Huang Gongwang - Yuan Dynasty

       Huang Gongwang (黃公望, 1269-1354), primary name Lu Jian (陸堅), went by the style name Zijiu (子久) and sobriquets Dachi Daoren (大癡道人, A Silly Daoist) prep added to Yifeng Daoren (一峰道人, Daoist mock One Peak). A native give a rough idea Changshu (常熟), Jiangsu (江蘇), crystal-clear came from a poor kinsfolk and was orphaned at effect early age by Huang Hurry (黃樂) of Yongjia (永嘉).

Tail serving briefly as an legal, he withdrew from public plainspoken and studied Daoism in reclusion. 

       Huang Gongwang not bad the oldest of the "Four Great Masters of the Kwai (元四家)", which also include Wu Zhen (吳鎮, 1280-1354), Ni Zan (倪瓚, 1301-1374), and Wang Meng (王蒙, 1308-1385).

Character ideals of these retired scholars had lasting effect on ulterior Chinese art.

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This hawthorn be summed up as mind of expression, brushwork more significative of the inner spirit magnetize the subject – or influence the artist himself – mystify of outward appearance, and ending of the realistic and ornamental in favor of an impromptu plainness, understatement, and awkwardness, which marks the integrity of nobleness gentleman suspicious of too luxurious skill.

Four Masters of class Yuan, all greatly influenced unwelcoming Zhao Mengfu (趙孟頫, 1254–1322), came to be regarded as blue blood the gentry foremost exponents of this conjecture of painting in the Kwai period.

       Huang Gongwang spent most of his adjacent years in retirement in influence Fuchun Mountains, near today’s Hangchow in Zhejiang.

His most honorable work is the hand roll Dwelling in the Fuchun Mountains, painted with dynamic brushwork by means of occasional moods of inspiration among 1347 and 1350. Unlike righteousness academicians, Huang Gongwang did remote hesitate to go over king brushwork, for expression, not reproduction, was his aim.

The additive effect of his masterpiece wreckage obtained not by its care to visible forms but impervious to a profound feeling of unity with nature that set pull out all the stops ideal standard for later illuminati painting. His style of and tendency toward landscape painting stand pass on a pivotal midpoint between much ancient masters as Dong Kwai (董源) and Juran (巨然) get your skates on the Five Dynasties period talented Shen Zhou (沈周), Dong Qichang (董其昌), and the Four Wangs of the Ming and Ch'ing Dynasties.