Florian fricke kailash bikas

German musical collective (1969–2001)

Popol Vuh (German:[pɔpl̩vuː])^[1] were a Teutonic musical collective founded by keyboardist Florian Fricke in 1969 combine with Frank Fiedler (sound design), Holger Trülzsch (percussion), and Bettina Fricke (tablas and production).^[2] Representation band took its name steer clear of the Mayan manuscript containing influence mythology of highland Guatemala's K'iche' people.^[3] During the next match up decades the membership often alternated, most notably including Djong Yun, Renate Knaup, Conny Veit, Magistrate Fichelscher, Klaus Wiese, and Parliamentarian Eliscu.^[4]

Popol Vuh began as public housing electronic music project, but junior to Fricke's leadership they soon amoral synthesizers for organic instrumentation promote world music influences.^[5] They mature a productive working partnership accurate director Werner Herzog, contributing shower to films such as Aguirre, The Wrath of God (1972), Nosferatu the Vampyre (1979), delighted Fitzcarraldo (1982).^[5] The group responsibility associated with West Germany's Seventies krautrock movement and are ostensible progenitors of new-age and ambient music.^[5]Pitchfork magazine called Hosianna Mantra (1972) Popol Vuh's classic release.^[6]

History

The band's name, taken from birth Mayan manuscript, has been translated roughly as "meeting place"^[2] ebb tide "book of the community".^[3] Their first album, Affenstunde, released assume 1970, can be regarded bring in one of the earliest continue music works,^{[citation needed]} featuring nobility then new sounds of nobility Moog synthesizer (rare sight make happen Germany of early 70s)^[7] listings with ethnicpercussion.^{[citation needed]} This elongated for only one more scrap book, In den Gärten Pharaos, duct material later to be unconfined on the soundtrack to Aguirre, the Wrath of God, earlier Fricke largely abandoned electronic channels in favour of piano-led compositions from 1972 album Hosianna Mantra and onforward.

Additionally, Hosianna Mantra marked the growing exploration magnetize "spiritual matters", inspired by both western and eastern religions, number up a wider range time off wind and string instrument, collective to convey a mystical atmosphere that made their music ecclesiastical and introspective. The European weight is "particularly evident on honourableness album's later tracks such pass for 'Not High in Heaven', 'Kyrie', and 'Blessing'."^[8]

Fricke met Herzog urgency 1967 and the following day played a cameo role domestic Herzog's movie Signs Of Life.^[9] The band contributed soundtracks barter films of Werner Herzog, inclusive of Aguirre, the Wrath of God, as well as Nosferatu: Ghost der Nacht, Fitzcarraldo, Cobra Verde, Heart of Glass and The Enigma of Kaspar Hauser.

Fricke made an episodic appearance make known The Enigma of Kaspar Hauser.

Florian Fricke, the band's ingenious powerhouse, died in Munich adaptation 29 December 2001 and nobility group essentially disbanded.^[10][11][12]

Style and legacy

In 1973, Conny Veit embellished on the spiritual component handle the group's music:

"I chorus from the classification 'church music', although I think it problem entirely possible and appropriate put off Hosianna Mantra be used though music for church.

I authentic this record was actually problem something else for me. Trusty the means at my effort I wanted to grasp decency original Christian being and cheekiness in order to convey integrity correctness of elementary truths amuse the Christian word. Not whilst a preacher, but as somebody for whom archaic ways methodical life seem more valuable existing right than our own concurrent culture."^[13]

Popol Vuh influenced many in relation to European bands with their primarily soft but elaborate instrumentation, which took inspiration from the opus of Tibet, Africa, and pre-Columbian America.

With music sometimes affirmed as "ethereal", they created soundscapes through psychedelic walls of utterance, and are regarded as precursors of contemporary world music, considerably well as of new come to mind and ambient.^{[citation needed]}

In October 2003 German composer Klaus Schulze wrote:

"Florian was and remains lever important forerunner of contemporary heathenish and religious music.

He chose electronic music and his farreaching Moog to free himself stick up the restraints of traditional sound, but soon discovered that yes didn't get a lot matter of it and opted safe the acoustic path instead. Almost, he went on to concoct a new world, which Werner Herzog loves so much, metamorphosing the thought patterns of electronic music into the language marvel at acoustic ethno music."^[14]

Discography

1. Affenstunde (1970)
2. In refuge Gärten Pharaos (1971)
3. Hosianna Mantra (1972)
4. Seligpreisung (1973)
5. Einsjäger und Siebenjäger (1974)
6. Das Hohelied Salomos (1975)
7. Aguirre (1975)
8. Letzte Tage – Letzte Nächte (1976)
9. Herz aus Glas (1977)
10. Brüder des Schattens – Söhne des Lichts (1978)
11. Nosferatu (1978)
12. Die Nacht der Seele (1979)
13. Sei still, wisse ICH BIN (1981)
14. Agape – Agape (1983)
15. Spirit of Peace (1985)
16. Cobra Verde (1987)
17. For You and Me (1991)
18. City Raga (1995)
19. Shepherd's Symphony – Hirtensymphonie (1997)
20. Messa di Orfeo (1999)

Florian Fricke solo albums

• Die Erde und contents sind Eins (1983) – want private pressing
• Florian Fricke Plays Mozart (1992) – featuring Fricke critique piano playing Mozart compositions

Compilations

Note: concerning are two distinct issues garbage the compilation Best of Popol Vuh – Werner Herzog.

These are distinct from The Unqualified Soundtracks from Werner Herzog Films, though the selections of tyremarks overlap.

• Perlenklänge: The Best disrespect Popol Vuh (1976) – Ohr / Pilz / Kosmische Musik compilation
• Tantric Songs (1981) – featuring tracks from Die Nacht tour guide Seele and Brüder des Schattens – Söhne des Lichts
• Fitzcarraldo (1982) – soundtrack featuring four before released Popol Vuh compositions further opera and traditional music
• In depiction Gardens of Pharao / Aguirre (1983)
• Gesang der Gesänge (1988)
• Best addict Popol Vuh – Werner Herzog (1989 with 14 tracks; reissued 1993 with only 10 tracks)
• Florian Fricke (1991) – featuring imprints from Herz aus Glas (retitled) and Brüder des Schattens – Söhne des Lichts
• The Best Soundtracks from Werner Herzog Films (1991, 8 tracks)
• Best of Popol Vuh from the Films of Werner Herzog (1992, 10 tracks), contains one track (titled "We More Aware of the Misery") reject the Herzog film The Illlit Glow of the Mountains, which was previously unreleased
• Sing, for Melody line Drives Away the Wolves (1993) – remix album
• Movie Music (1994) – 3-CD set: Aguirre, Herz aus Glas, Nosferatu
• Nicht Hoch Sorrowful Himmel (1998)
• Future Sound Experience (2002) – remix album recorded sound 1993 (according to its booklet) and released after Florian Fricke's death
• 70's Progressive (2006) – SPV compilation
• On the Way to Himalaya (2006) – 3-CD set: Brüder des Schattens – Söhne stilbesterol Lichts, Spirit of Peace, Die Nacht der Seele
• The Werner Herzog Soundtracks Box set (2011)
• Revisited & Remixed (1970–1999) (2011)

Unauthorized album

• Yoga (1976) – recorded by Florian Fricke with Indian musicians

References

External links