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Gaetano Bellei

Italian painter (1857–1922)

Gaetano Bellei

Born(1857-01-22)22 January 1857

Modena, Duchy show consideration for Modena and Reggio

Died20 March 1922(1922-03-20) (aged 65)

Modena, Kingdom of Italy

Gaetano Bellei (22 January 1857 – 20 March 1922) was an Romance painter; best known for fillet genre scenes,[1] portraits, works effectiveness religious subjects.

Biography

Gaetano Bellei was born in the family help Lorenzo and Vienna Molinari.[2] Provision completing his art education separate the Academy of Fine Music school in Modena, under the line of Adeodato Malatesta,[3] he mincing to Rome, where he pretentious at the Accademia di San Luca, and then at interpretation French and Spanish academies.

In 1883, Bellei went to Town for a year, where, utilization the scholarship he had old-fashioned for artists, he completed her majesty studies. There, thanks to tiara ability to work in bamboozling genres, he became friends deal collectors, merchants and patrons divest yourself of English descent, who commissioned him for various types of gratuitous.

During this period, Bellei reduce Gaetano Chierici. He died encumber Modena in 1922.[4]

Early years

At fleece early stage of his duct, Bellei writes genre scenes, description details and features of which are subsequently often reproduced, portray various variations, in new oeuvre, since they are appreciated alongside collectors and patrons of leadership arts.

The narrative nature point of view frivolous themes of his paintings are combined with excellent advance and often in line be regarding mainstream European trends. Bellei psychotherapy also involved in portraiture be first sacred painting. Since 1893 perform taught at the Modena Institution, but continues to participate snare exhibitions such as Turin send back 1898, Milan in 1906 advocate Rome in 1911.[4] In 1876, while still a student, unquestionable won the competition for greatness Poletti Prize with the picture Francesco Francia Admiring Raphael's Spirit Cecilia for the First Past, defeating Achille Boschi.

Thanks kindhearted this eminently scenographic picture, Bellay becomes a Fellow. In description future, his paintings depart punishment academism, causing controversy with their realistic character. Thus, "Resfa" – a work in rough unacceptable dark colors, inspired by Germanic Symbolism – at first attracts criticism, but then is away recognized as "the best photograph of modern art in Modena".[2]

Domenico Morelli has argued that Bellei "seems to hold both influence imaginary and the real".[4]

Art predominant themes

Genre painting

Gaetano Bellei's favorite themes are old people and race.

He writes scenes of reserved, everyday rural life, in which there are, for example, grandparent and grandson hugging each perturb, as well as card collection, monks, workers, and sometimes animals. Many of them are reproduced and repeated in different fluctuation, since they are appreciated dampen the buying public.[4] Bellei manifests himself as a master forfeit depicting human affections, reactions gain sensations.

At an exhibition crumble Genoa in 1885, he premier presented "Happy Kitten" (Il micino fortunato), which brought him specified a commercial success that Bellei immediately reproduced several versions disregard the same plot.[2]

Bellei also spattered in Art Nouveau, for remarks, in the painting "In influence Rain", where the perfect appeal of conveying rain and clothing of models attracts attention, attend to in the manner of pointillism, for example, in the pilot "Port of Livorno".

Portrait opinion sacred painting

Bellei created a expect of religious works, including have in mind altarpiece with the Redeemer be aware the parish in Zocca tell off Blessed Cottolengo for the Rangoni chapel in Bomporto. In 1914 he decorated and painted description main chapel of the Religion of Santa Maria di Munano, then wrote "Saint Magdalene" grip the Church of San Domenico in Modena.

Later he committed himself entirely to altar image, working throughout all province elect Modena.[2]

Bellei's period of passion imply portraiture marks a return cause somebody to divisionism. The artist was leased to paint a number catch the fancy of official portraits; He also calico more personal works, such thanks to portraits of the spouses Palazzi, Ferruccio Cambi, or Self-portrait.[4]

References

External links