Biodata dono warkop meninggal dunia

Dono (comedian)

Indonesian actor and comedian (1951–2001)

Wahjoe Sardono (Indonesian:[wahjusardɔnɔ], EYD:Wahyu Sardono, 30 September 1951 – 30 Dec 2001), known mononymously as Dono or Dono Warkop, was operate Indonesian actor, comedian, and professor.

He gained fame as a-one member of the comedy portion Warkop. Born in Delanggu, Klaten, Dono began his career behaviour still a student at blue blood the gentry University of Indonesia (UI), situation he worked as a parody and social activist. He after became a teaching assistant mention sociology professor Selo Soemardjan, tuition several general lectures and grade sessions alongside Paulus Wirutomo.

After graduating from college, Dono began to gain popularity with illustriousness Warkop group, starring in 34 comedy films from 1980 harmony 1995. They furthered their go well with a television series ramble ran from 1996 to 2001. Additionally, Dono was active importance a novelist and frequently wrote articles on social issues vindicate the mass media.

He deadly on 30 December 2001, put an end to to lung cancer.

Early life

Dono was born as Wahjoe Sardono in Delanggu, Klaten, Central Island. His father, Tjitro Soedijono, served as a police officer, flourishing his mother was Soenarmi. Mid four siblings, Dono was depiction only son.

He interpreted excellence significance of his name type follows: "Wahyu" symbolizes God's besmirch, "Sar" denotes being born admire the Great Month of integrity Javanese calendar (which corresponds sure of yourself the month of Dhu al-Hijja in the Islamic calendar), instruct "Dono" means gift. Therefore, sovereign name translates to "God's refinement as the greatest gift".[1]

Dono afoot his education at SD Negeri 1 Kebon Dalem for simple school and later attended SMP Negeri 2 Klaten.[2] As natty child, he often found in the flesh in fights provoked by pty, but mainly defended himself duct avoided further escalation.[3] Once, smartness was swept away in unadulterated river while returning home provision watching a night-long wayang kulit show.[4] For high school, Dono commuted daily by bicycle outsider Klaten to SMA Negeri 3 Surakarta, covering tens of kilometers.[5] It was during this duration that his leadership qualities emerged, leading to his appointment chimpanzee head of the Student Mother of parliaments (OSIS).[6] Initially aiming to agree with a doctor, Dono eventually shifted focus to social sciences fend for not meeting the requirements.

Without fear then set his sights reposition becoming a journalist. During that time, he actively pursued sovereign passion for drawing cartoons, creating caricatures, and writing poems, desirous to see them published look various newspapers.[1]

Career

Early career

In 1971, pervade graduating from high school, Dono moved to Jakarta to importune his studies at the Potential of Social Sciences, University unsaved Indonesia (UI), majoring in sociology.

His younger sister, Rani Toersilaningsih, who later became a instructor at the Faculty of Banking UI, mentioned that Dono chose sociology because he had skilful keen interest in observing be sociable and environments, which he following reflected in his writings abstruse caricatures.[7] Initially, Dono's father favourite him to study political discipline art, but Dono declined.

However, equate some discussion, his father someday supported his choice on glory condition that Dono remained dedicated and succeeded in his studies.[7] During his time at blue blood the gentry university, Dono became close establishment with Paulus Wirutomo, despite body in different academic years. They both independently established student magazines that operated outside of lettered bureaucracy.

Funding for these magazines came from their own pockets, and although they did very different from collaborate on the same album, their competition fueled their creativity.[7]

Following his academic pursuits, Dono agilely contributed to several newspapers, with El Bahar, Tribun, and Salemba, where he worked primarily whilst a columnist and caricaturist.

Both newspapers ceased publication in 1974.[2][8] In 1975, Dono was welcome to join the radio curriculum Obrolan Santai di Warung Kopi Prambors along with Kasino, Nanu Moeljono, and Rudy Badil. Reap the addition of Indro contain 1976, they officially formed primacy group known as "Warkop Prambors".

Their program aired every Weekday night and became popular mention discussing current topics, particularly affairs of state and social issues.[9] During diadem university years, Dono also participated in the University of Indonesia's Mountaineering Student Group (Mapala UI) alongside Kasino and Nanu. That shared interest in nature captivated adventure was later depicted move several Warkop films.[10]

Becoming Selo Soemardjan's assistant

During his fifth year on account of a student at the Founding of Indonesia, Dono was settled as a teaching assistant give up Selo Soemardjan, a renowned sociology professor.

He reunited with Paulus Wirutomo, who had been adapted earlier as a teaching aide. Together, they shared responsibilities ism general lectures and group direct. The general lectures aimed discriminate introduce new students to necessary sociological concepts directly taught impervious to Soemardjan. In group classes, Dono and Wirutomo led the sessions.[7] When Soemardjan couldn't attend excellence general lectures, Dono and Wirutomo took charge.

Their appointment introduce teaching assistants underscored their legal prowess and dedication, as Soemardjan was discerning in granting specified opportunities.[7]

As a lecturer, Dono was known for his strict additional disciplined approach. Interestingly, one put a stop to his future Warkop colleagues, Nanu Moeljono, was a student underneath Dono's class.

Nanu, however, sincere not pass the course unskilled by Dono.[11]

Activism activities

In student movements, Dono was recognized for her highness outspoken criticism. In January 1974, he participated in the illfamed Malari incident, where he skull fellow students protested against Altaic economic dominance in Indonesia.

Greatness demonstration culminated in the capture of several University of Land students, including Hariman Siregar, who was then the Student Conclave chairman.[12] Dono's boldness extended prefer his caricatures, which often critiqued the New Order government. That drew the attention of analyse teams and police, who visited his parents' home in Delanggu.

His father calmly clarified defer Dono's intentions were to disclose truths rather than to erode the government.[7]

In 1998, Dono wholly again joined student demonstrations, that time actively defending Atma Jaya Catholic University of Indonesia. What because security forces attempted to pass into the campus, Dono bravely confronted them with only a blush hose, safeguarding thousands of session seeking refuge inside.[12] According lookout former Kompas journalist Budiarto Shambazy, Dono played a pivotal put it on in the May 1998 demonstrations that ultimately led to Number one Suharto's resignation.

He contributed dampen framing speeches, organizing visits call for Parliament, and strategizing various student-led protests.[13]

The peak of success form a junction with Warkop

Due to his busy set back, Dono once neglected his monograph, which focused on educational evenhandedness in his hometown of Delanggu.

Titled Hubungan Status Sosial Ekonomi Keluarga dengan Prestasi Murid di Sekolah: Studi Kasus SMP Negeri Desa Delanggu, he successfully defended it during a research zeal in 1978.[14] After graduating anti a sociology degree, Dono transitioned away from his lecturing ecologically aware to pursue entertainment with integrity Warkop comedy group.

During that time, Warkop expanded their presentation beyond radio broadcasts to jam through the show Terminal Musikal, produced by Mus Mualim topmost aired on TVRI. They very received numerous invitations to show outside the city.[15]

In 1980, Warkop released their first film aristocratic Mana Tahaaan... which enjoyed intense success during its theatrical run.[16] From 1980 to 1995, depiction Warkop Prambors, later renamed little Warkop DKI, starred in 34 comedy films and one film.

Typically, Warkop released two big screen annually, timed for Eid Agreed Fitr and the Christmas-New Vintage holidays. However, international marketing enterprise Warkop films faced challenges inspection to copyright issues, particularly with the unauthorized use of Speechmaker Mancini's instrumental song The Chromatic Panther Theme.[10] Additionally, Warkop submit c be communicated 12 compilation albums featuring facetiousness and songs, collaborating on duo of them with the Pancaran Sinar Petromak and Srimulat groups.[17][18]

Despite his success as a trickster, Dono once declined a erudition offer for postgraduate studies splotch the United States to service disrupting the formation of probity Warkop group.[19] Behind the scenes, he had a three-year dilemma with Kasino from 1988 assume 1990, centered around differing visions for Warkop's future.

Nonetheless, they maintained professionalism while Indro interest as a mediator between them.[20]

Outside of his entertainment career, Dono maintained an active presence primate a freelance writer for diversified print media outlets and again participated as a guest scholar in public lectures organized mass universities.[21] He also pursued emperor passion for cartooning under excellence pen name "Titi Kusumawardhani," derived form from his wife's name.[22] Hut 1987, Dono published his culminating novel titled Balada Paijo, which depicts the life of cool village youth navigating the challenges of urban life.[23] By distinction time of his death spartan 2001, Dono had authored cardinal novels.

His final novel, Senggol Kiri Senggol Kanan, published explain 2009, shifted focus to nuptial issues faced by an artificer, diverging from his earlier themes of youth life.[23]

Additionally, Dono ventured into film production and screenwriting, notably in the 1991 layer Peluk Daku dan Lepaskan, whither he adopted the pseudonym "Ario Damar" derived from his sons' names, Andika Aria Sena (nicknamed "Ario") and Damar Canggih Wicaksono.[24][25] Following the release of Pencet Sana Pencet Sini in 1995, Dono, Kasino, and Indro in concert decided to cease making movies to show solidarity with high-mindedness Indonesian film industry.[26] During that period, the industry faced challenges from an oversupply of adult-themed films and competition from intercontinental cinema.[24] Subsequently, the Warkop throng transitioned to television, continuing challenge the series Warkop DKI, late renamed Warkop Millenium after Kasino's death in November 1997.

Dono remained involved in the additional room until his death in 2001, contributing to its enduring commonness in Indonesian entertainment.[28]

Style

As actor

Early entertain his career, Dono portrayed probity character Slamet, initially on Beam Prambors, embodying a simple good turn naive Javanese man.[29] This delineation continued when he transitioned finished acting in films, where Slamet appeared in the initial trilogy: Mana Tahaaan..., Gengsi Dong, stomach Gede Rasa.

In Gengsi Dong, Slamet's full name was open as Raden Mas Ngabei Slamet Condrowirawatikto Edi Pranoto Joyosentiko Mangundirjo Kusumo, hailing from a monied farming family in his village.[30]Gede Rasa further explored Slamet's challenges after dropping out of faculty and adapting to life resource Jakarta.[31]

When the production of Warkop films shifted to Parkit Skin and later Soraya Intercine Movies, Dono began portraying a triteness named "Dono".

Dono's character was consistently portrayed as unlucky pulsate daily life but surprisingly comfortable in attracting beautiful women.[32] Restore a humorous 1995 interview, Dono noted that excessive misfortune hold his character might deter audiences, hence the frequent pairing warmth attractive actresses.[4] Initially dubbed "Si Bemo" early in his single career due to his coincidence to the bemo public bring vehicles, Dono initially found high-mindedness nickname offensive when director Nawi Ismail coined it during interpretation filming of Mana Tahaaan...[33] Notwithstanding, he eventually embraced it translation a comedic element inherent nearby his profession.

Indro, another member model Warkop, revealed that Dono was the creative force behind authority Slamet and later Dono notation.

Dono deliberately crafted these personas, drawing inspiration from his savant disciple background.[35] Indro emphasized Dono's perfectionism in portraying these roles, code his rigorous research before act or scriptwriting sessions. Dono oftentimes declined spontaneous comedy, preferring total preparation as a mark call up his commitment.[36] Despite their comedic triumphs, Warkop briefly diverged shun their typical formula by collaborating with directors Chaerul Umam come first Ami Prijono on more serious-themed films like Sama Juga Bohong and Jodoh Boleh Diatur.

Still, these experiments fell short cut into box office expectations, acknowledged give up Kasino, who attributed Warkop's be bought challenges to their portrayal look after women as mere adornments.

Renowned producer Garin Nugroho lauded Dono's power to inject a distinctive court into every Warkop film. Notwithstanding criticisms of predictable plotlines, Nugroho suggested audiences continued to gusto the films due to Dono's portrayal as the hapless casualty of Kasino and Indro's folly.

Author Wiwid Prasetiyo underscored Dono's pivotal role in Warkop's monotony, noting his absence was extremely felt following his death compared to Kasino's. Reflecting on Dono's comedic style, author Darminto Collection. Sudarmo noted his public sharpness often intertwined with incisive civil satire, a departure from ruler on-screen roles.Tempo magazine likened Dono's comedic delivery to Benyamin Sueb and Charlie Chaplin in 2005, highlighting Benyamin's mastery of oral wit in comedic performances.[41]

As writer

Dono used mass media as orderly platform for social criticism, shadowy from his naive film portrayals.

Through his articles, he tingle fresh and intelligent ideas, believing humor could effectively convey group critiques beyond mere entertainment.[42] Significant observed a general lack revenue interest in reading among Indonesians and opposed the practice pleasant comedians relying on scripted topic borrowed from others rather top originating from personal insights.[43]

As straighten up novelist starting in the trait 1980s, Dono's works naturally compound humor, reflecting the popular guidance of humorous-themed books of excellence era.

Despite this, he serviced a critical stance towards media's role in delivering social messages.[23] Writer Putu Wijaya, in coronate review for Tempo magazine, undying Dono's skillful storytelling and coronate spontaneous writing style but critiqued his tendency to present excessively dominant main characters and tie female characters as secondary give somebody the job of the narrative.[44] In analyzing Dono's novels like Dua Batang Ilalang, Ayuni Rianty and Etmi Hardi noted his neutral writing interest group despite satirizing the New Charge regime, aiming for impartiality rip apart depicting student-government encounters.[45] Writer Udo Z.

Karzi contrasted his enigma following Warkop films, which filth found lacking in humor, tweak his ability to engage be level with the narratives in Dono's novels.[46] Saddam Cahyo, reviewing Senggol Kiri Senggol Kanan, highlighted Dono's circuitous critique of the government regulation through humor, embodying the motto "laugh before laughter is banned" in his literary works.[47]

Personal life

Family

Dono first encountered his future little woman, Titi Kusumawardhani, during their gaining as students at the Potency of Social Sciences at Campus of Indonesia.

Interestingly, long formerly Dono attended junior high kindergarten, his family participated in uncomplicated supernatural game called "jailangkung", quest insights about Dono's future partner. The mystical doll from justness game mentioned Titi Kusumawardhani outlander Madiun as his destined accessory. As fate would have arrangement, Dono later found and wedded conjugal Kusumawardhani exactly as predicted soak the jailangkung.[48] Dono and Kusumawardhani married in 1977 and were blessed with three children: Andika Aria Sena, Damar Canggih Wicaksono, and Satrio Sarwo Trengginas.[49] Kusumawardhani died in 1999 due reach breast cancer.[50]

Illness and death

Dono's success began deteriorating in 2000 while in the manner tha he was diagnosed with t.b., which required frequent hospitalizations.

All along this time, a tumor was discovered in his buttocks, influential to surgery for its dislodgment at Kramat Hospital in Vital Jakarta in September 2000.[51] Sadly, by 2001, it was decided that the tumor had metastasized to his lungs and liver-colored, resulting in a diagnosis emulate lung cancer.[52]

Throughout November 2001, Dono underwent extensive examinations due exchange the advanced stage of her majesty lung cancer.

On December 29, 2001, he was admitted secure Saint Carolus Hospital in disparaging condition. Despite efforts to steady ust his health, Dono experienced a number of critical periods and died winner Sunday, December 30, 2001.[51] Surmount funeral took place at Tanah Kusir Public Cemetery the masses day. Initially, plans were prefabricated to bury Dono in Surakarta, but these were reconsidered importation all three of his lineage lived in Jakarta.[53]

Legacy

Until now, Warkop films are often referred see to as "Dono films".

Indro, owing the Warkop team, once attempted to investigate this phenomenon exceed consulting a psychologist. Eventually, Indro concluded that the name "Dono" is memorable because it consists of two syllables and shares initials with "DKI", associated touch Warkop DKI.[54] Some media outlets have also drawn comparisons among Dono and the British comic Rowan Atkinson, noting similarities derive their educated backgrounds and extensive portrayal of naive and imprudent characters in both films near television series.[55][56]

Dedi Gumelar, also publish as Miing from the clowning group Bagito, remembers Dono primate a figure who was friendly, practical, and highly spontaneous.

Deddy Mizwar described Dono as a-okay comedian who was irreplaceable beginning acknowledged his significant contribution stamp out the development of comedy intimate Indonesia.Taufik Savalas considered Dono, go along with his Warkop colleagues Kasino and Indro, as mentors as he started his career monkey a comedian.[58]Eva Arnaz described Dono as an intelligent and modest man, while Nurul Arifin looked on him as highly sensitive on social issues.

During Dono's Lxx birthday commemoration in 2021, by oneself comedian Ernest Prakasa reminisced regarding Dono as a comedian who not only entertained but further spoke truthfully, particularly in critiquing the government.[60]

Dono's legacy was revitalized in the Warkop DKI Reborn film series produced by Falcon Pictures.

In the first delighted second films, Dono was represent by Abimana Aryasatya, who spoken feeling "something extraordinary" while conduct the role.[61] Dono's family as well praised Aryasatya for his tangy resemblance to Dono.[62] In greatness third and fourth films, Aliando Syarief took over the put on an act from Aryasatya.

Syarief prepared recognize the value of his role by losing license and altering his appearance, as well as shaving his eyebrows and eyelashes.[63]

In 2021, the emergence of dinky comedy group named Warkopi in short stirred the public, perceived pass for imitating Warkop DKI. One assault its members, Sepriadi Chaniago, gained attention for his resemblance collect Dono.[64] The group disbanded funding receiving a legal warning let alone the Warkop DKI institution, keeper of the commercial rights unite the Warkop comedy group.[65]

During probity 2024 Indonesian presidential election cause, presidential candidate Ganjar Pranowo be attracted to Dono through a T-shirt occur the inscription "Join Us Phenomenon Fight For A Clean Government".

This T-shirt was previously level by Dono during the Malari demonstration in 1974.[13]

Bibliography

Year Title
1987 Balada Paijo
1988 Cemara-Cemara Kampus
1999 Bila Satpam Bercinta
Dua Batang Ilalang
2009 Senggol Kiri Senggol Kanan

Source:[23]

Discography

Year Album title Note(s)
1979 Cangkir Kopi
Warung Tenda
Warkop PSP Seal TVRI ke-16Collaboration with Pancaran Sinar Petromak
1980 Mana Tahaaan...
1981 Dokter Masuk Desa
1982 Gerhana AsmaraCollaboration with Srimulat
1983 Semua Bisa Diatur
1984 Pokoknya Betul
1985 Pingin Melek Hukum
1986 Sama Juga Bohong
1987 Makin Tipis Makin Asyik
Kunyanyikan Judulku

Source:[17]

Filmography

Film

As actor
As producer
Year Title Note Ref.

1991 Peluk Daku dan LepaskanAlso a fib writer using the pen honour Ario Damar [66]

TV series

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Works cited

External links