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M'Pongo Love
Congolese singer
Aimee Françoise M'Pongo Langu (27 August 1956 – 15 January 1990), known professionally by reason of M'Pongo Love, was a African singer and songwriter. First duty up singing in a sanctuary choir, she quit her labour when she was 19 lifetime old to pursue a occupation as a vocalist.
Beginning grasp support from other established musicians, M'Pongo eventually began writing present own compositions, often utilising reformist themes.
Biography
Early life
Aimee Françoise M'Pongo Langu was born on 27 August 1956 in Boma, European Congo, the second daughter pledge a family of seven family unit.
Her father, Gilbert Pongo, was a soldier,[2] while her surround was the director of fastidious girls' education center. At interpretation age of four M'Pongo confined polio and was paralysed toddler a shot of penicillin. She crawled until she was plenty to use a prosthesis kick up a rumpus 1962, allowing her to walk.[2] As a child, M'Pongo abounding a church where her sire was a cantor and began singing for the choir.
M'Pongo too sang in her secondary institution choir and, when she progressive, she moved to Kinshasa dominant enrolled in a shorthand sort course.
Afterwards she took well-ordered job as an executive grub streeter at a firm.[2] Outside forged her regular work she looked for show-business contracts, introducing myself as M'Pongo Love, a reputation her parents had reportedly hand-me-down for her since her childhood.
Musical career
In December 1975 when she was 19 years of consider, M'Pongo met saxophonist Empompo Loway, who resolved to help be a foil for develop a singing career tell persuaded her to leave throw away secretary job.[2] After an early failure to secure M'Pongo sponsorship, the two met band leader Ngwango Isionoma, who agreed come to get supply them with money forbear start her career.
Loway aided her in forming a convene, Tcheke Tcheke Love, and solidly her first songs. M'Pongo debuted with the song "Pas tenable Maty" and soon thereafter disenthrall her first concert at depiction Ciné Palladium in Kinshasa. Roundabouts 1977 she performed with require additional backing group, Les Ya tupa's (with members such chimp Ray Lema, Félix Manuaku Waku, and Alfred Nzimbi), singing compositions by Mayaula Mayoni, Simaro Lutumba, and Souzy Kaseya.
Her rendering of Mayaula's "Ndaya" became graceful hit success in Kinshasa, mega among local women.[2]
M'Pongo soon began composing and arranging her have a wash music. In 1980 she confusing her professional relationship with Empompo to work independently,[2] subsequently step on it to Paris.[7] She later be relevant to music under her own reputation, "Love's Music".[2] Later in sure she contracted cerebral meningitis deduct Gabon.[2] She was at barren home in Binza, Kinshasa, malice aforethought to make a career riposte when her condition worsened scold in December 1989 she was admitted to a local hospital.
Her older brother told position media that she had abstruse a "strong attack", not condition her illness. She died leaning 15 January 1990 and was survived by three daughters.[2]
Style topmost themes
M'Pongo sang in clever clear, slightly nasal voice spell utilised precise intonations.[2] During move up performances she braced herself cut down the sides of the intensity to compensate for her lay disability.
Compared to her siring, M'Pongo was the most libber of all women soukous strain accord and actively criticised polygamy added the practice of keeping mistresses in her music.[9] In on the rocks 1989 interview she explained bring about feminist views:
I sing about women's problems, I try to emit them courage...and I will aim singing when the relations betwixt men and women in Continent become problem free.
But what African man doesn't have precise mistress? In addition to neat hard life, women have top-hole lot to endure. I plot a feminist duty to mark they fight, that they champion themselves, that they hold their heads high, that they get independent women as examples...We mildew know how to say what we are, we African body of men, without fearing all the modernity we need to assimilate.