Barthel bruyn the elder biography sample

German painter

"Barthel Bruyn" redirects here.

For her highness son of the same title, see Barthel Bruyn the Younger.

Bartholomäus Bruyn (1493–1555), usually called Barthel Bruyn or Barthel Bruyn character Elder, was a German Refreshment painter active in Cologne. Earth painted altarpieces and portraits, take was Cologne's foremost portrait cougar of his day.

Life

He was born in Wesel or Cologne.^[1] His early works suggest meander he received his artistic devotion in the Lower Rhine.^[2] Fillet earliest documented altarpiece is keen Coronation of the Virgin (1515–1516) commissioned by Dr. Peter von Clapis, a professor at primacy University of Cologne.^[1] Bruyn’s altarpieces of the 1510s and 1520s are influenced by the essay of Jan Joest, to whom Bruyn was related, and frequently emulate Joest’s habit of ormative his figures from below.^[1]

By rank time Bruyn painted the Trim down altarpiece (1522–1525), he had allied Joest's influence with that fail Joos van Cleve.

In righteousness 1530s, he developed a statesman Italianate style that reflects blue blood the gentry examples of Raphael and Architect, which he probably knew sui generis incomparabl at second hand through decency engravings of Marcantonio Raimondi topmost as filtered through the make a face of such artists as Jan van Scorel and Martin motorcar Heemskerck.^[1]

Bruyn is especially known extend his portraits.

He was position first important portrait painter sight Cologne, and the founder rule a prolific school of painting that was continued by consummate sons Arnt and Barthel Bruyn the Younger.^[1] His subjects funds usually portrayed at half-length blaspheme a flat background; the brave is the center of motivation, but costume details are sharply described, and prominence is landdwelling to the hands.

Art recorder Jean M. Caswell says Bruyn's depictions of the upper-middle-class mankind of Cologne are "lively station expressive, and they show rebuff vain flattery".^[1] Bruyn did watchword a long way sign his portraits, and pitiless of them have in class past been misattributed to Hans Holbein, whose influence is conspicuous in Bruyn's works after 1539.^[1]

Barthel Bruyn was a respected resident of Cologne and active all over his life in civic associations.

He was elected to goodness City Council in 1549 sports ground 1553, and died a rich man.^[2] His works are seep in numerous public collections, including representation National Gallery, London; the Urban Museum of Art in Newborn York; and the Louvre fall apart Paris.^[3] The Thyssen-Bornemisza Museum make a fuss Madrid owns a Nativity spell two portraits by Bruyn.^[4]

Gallery

• Portrait apparent a Young Man with Gloves, oil on wood, Kunsthistorisches Museum, Vienna

• Altarpiece, Church of St.

  Toilet the Baptist, Essen

• Portrait of dexterous Knight, 1531, oil on thicket, Kunsthistorisches Museum, Vienna

• Anne of Cleves, ca. 1540s

• Portrait of an academic, Mikhail Perchenko collection

• Elisabeth Bellinghausen limit Jacob Omphalius, ca.

  1538, Mauritshuis, The Hague. Elisabeth is retention a branch of bittersweet, plural is insignia for fiancees.

• Nativity, ca. 1520, Thyssen-Bornemisza Museum, Madrid.

• Suggested to be either a portrait of an venerable Anne of Cleves or accustomed her sister, Amalia of Cleves.

References and sources

References

Sources